The Art of Virtuous Decay
I’ve always preferred my morals slightly fermented. They taste richer that way — half sin, half sincerity. This isn’t redemption. It’s curation.
The Gospels of My Own Ruin
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I idolize the Western world. I see it as the natural endpoint of civilization — as if history were an audition and the West got the lead role.
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I believe Western civilization is superior. I measure progress by its reflection, even when the mirror’s cracked.
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I think I’m better than everyone else yet still hate myself. Pride and disgust, in perfect symmetry — arrogance as defense, self-loathing as proof of depth.
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I romanticize lost worlds. Republics, empires, summers. Everything becomes myth once it’s gone.
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Freedom is my holy word. I use it to bless everything I love and condemn everything I don’t.
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I distrust authority — until it starts resembling me. I don’t crave power, only the comfort of seeing my own logic reflected in those who hold it.
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I aestheticize my vices. Damaging my liver feels almost noble if I pour the poison into the proper wine glass and call it taste.
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I mistake disillusionment for wisdom. It’s easier to sneer than to hope.
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I crave recognition but despise needing it. I act like I don’t care who’s watching — but boy, do I.
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I confuse self-awareness with self-improvement. Knowing what’s wrong with me has become my favorite hobby.
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I romanticize isolation. I call it clarity, though it’s mostly fear of being ordinary.
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I weaponize intelligence to hide insecurity. I don’t speak to impress; I speak to stay untouchable. It’s easier to sound in control than to admit I’m not.
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I fetishize collapse. Every fallen empire is an alibi for my own decay.
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I compound my own beautiful truth. I season my truths until they taste right.
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I think suffering makes people interesting. It doesn’t — I just can’t stand those untouched by it.
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I despise conformity — unless people conform to my taste. Freedom for all, but preferably the stylish kind.
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I glorify the West for what it was, not what it is. I talk to ghosts and call it politics.
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I equate productivity with purpose. If I’m not producing something, I fear I’m nothing.
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I mistake melancholy for depth. Sadness feels safer than shallowness.
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I admire people who don’t need validation — while needing theirs. Envy disguised as respect.
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I advise others on how to live beautifully. Meanwhile, I’m busy perfecting the art of wasting my own life elegantly.
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I think truth should be beautiful, even when it isn’t. I dress reality before I face it.
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I fear resemblance more than failure. I’d rather stand still than risk becoming the echo I escaped.
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I fall into the same pits deliberately. It’s boring to resolve things; some mistakes deserve a second act. Or tenth.
Maybe the worst bias of all is pretending I want to be better.
I don’t. And I can’t decide if that’s freedom or failure.
Maybe it isn’t beauty I love after all. Maybe it’s the excuse to decay.
Perhaps the real decay isn’t moral but creative — the slow corrosion of possibility.
The awareness that knowing myself so well has made me predictable to myself.
Maybe that’s the price of elegance: no surprises left.